The Sun Sign and Character Development

In astrology, the sun sign represents our wants. It's our character, what we strive to be. Through our sun sign, we seek to distinguish ourselves in some way and carve out a unique identity. If the moon represents our relationship to the maternal figure, then the sun represents how we separate from that figure and leave our mark upon the world. The obvious literary implication, of course, is that the sun sign you choose for your protagonist will be a driving force in his or her efforts to enact change.

However, it would be a mistake to assume that it's only the sun sign that matters. Of course, it helps to know that an Aries will be impulsive and headstrong or a Pisces sensitive and impressionable, but it's really the house that's going to tell you how those identity needs manifest. In addition to the signs, an astrological chart is divided up into twelve houses with various attributes. The rising sign, determined by your time of birth, sets the stage for the whole chart, dictating which planets fall in which houses. For example, in The Girl With the Collywobbles, Aletheia has a first house sun*. This makes her individualistic, as well as giving her a magnetic quality that attracts the attention of others, but can also bring with it a feeling of self-consciousness, as if always being watched. (Something we'll see even more of in the forthcoming sequel, The Child of Aokigahara.) For her, nothing short of absolute individuality will give her a sense of identity.

There are a number of ways in which the sun's driving need for a self can manifest based on what house it's in. For example, a sixth house sun will produce someone whose sense of identity comes through their day-to-day work life. A ninth house sun will give the person an orientation towards philosophy, alternative religions and travel whereas an eleventh house sun produces someone who gets their sense of identity through groups, teams and ideologies.

If you want to get really creative with this, you can make the driving need something that's unrealized as a source of inner conflict. A restraining element elsewhere in the chart could make that natural area of expression harder to realize and therefore could be a hang-up for them. Imagine, for example, someone who has their sun in the tenth house, ruling careers, but who has a lot of planets in more fluidic, adaptable signs. You'll have someone whose sense of identity comes through a career but is held back by their tendency to be changeable and unfocused. The need to have an identity through their career will be at odds with their tendency to get distracted or explore options. The complexity of the chart provides a lot of options for brainstorming your characters' motivations.

Next up: the influence of the moon



*However, this doesn't mean she is an Aries rising. The planets fall in houses depending on the specific degree of a given planet, house, etcetera. In Aletheia's case, she's a Pisces rising with a first house Aries sun.

Character Development and Astrology

I'm fascinated by personality constructs, all personality constructs. I'm particularly interested in the enneagram and Myers-Briggs, and my diaries are full of lengthy analyses of my characters' types. However, I don't like using them to determine my characters' personalities beforehand. Rather, I write the character and after the fact, I mull over what type they might be.

Astrology is another matter entirely.

I find it very useful to come up with a character's chart in advance of writing them. When I wrote Collywobbles, I had a sun sign in mind for Aletheia's character, but didn't immediately create an astrological chart. However, in subsequent books, I've found myself increasingly creating charts in advance of writing a character. I use Astrolabe's free chart generator. Sometimes, I'll have a specific sign in mind for a character, but other times, I'll use a random generator app to determine their sign, as well as where and when they were born. Once I generate the chart, I'll study up on the character implications. Sue Tompkins' book, The Contemporary Astrologer's Handbook, is an invaluable resource for me, and I rely heavily on Howard Sasportas' The Twelve Houses as well.

Astrology gets a bad rap, largely due to people voicing opinions about it who have never delved any deeper than their daily horoscope. I find it to be especially ill-informed when proponents of the Myers-Briggs bash on astrology, since Jung embraced astrology and vice-versa. The truth is, psychoanalysis is a big part of chart interpretation. Authors like Tompkins speak to the underlying motives indicated by a chart, and certain positions, like the moon sign and the fourth house, delve deeply into the early childhood experience. The usefulness in thinking about these things in character development should be obvious. If you know that an Aquarius Moon predicts a detached mother, and your character has a particularly emotional placement (e.g. a Scorpio sun), then already you're getting into some of the underlying conflicts in the character's psyche. Other placements, such as which sun the house falls in or what sort of aspects to Neptune a character has, are equally informative.

I don't adhere religiously to charts. Usually, I'll go through a chart and look for any placements that are particularly interesting and use that as a starting point. I also find it helpful to cross-reference with other characters. I've occasionally had character dynamics leap out at me by glancing at a newly created chart.

In subsequent posts, I'll be going through the planets, explaining what they say about the personality as it can be applied to character creation. I'll get into the houses somewhat too. I'll start with the big ones (the sun, the moon and ascendant) and take it from there. Stay tuned!